- Hilarious and stormy inner life; jealous, contemptuous, averse to superficial dumb society goings-on & government things; ashamed, attempting to do good (4)
- philosophical and serious, concerned with matters of the laborer (and the laborer’s relationship with the land), farming/agriculture (SO/SP)
- a rational non-believer who has a non-religious spiritual awakening at the end — gorgeous
- Marries Kitty; first refused, then she accepts later; he overcomes his wounds and pride
- Works the land and his farm alongside the peasants (9)
- A rich inner life, sensitive, introspective, wears his heart on his sleeve, emotionally honest (4-6)
- His ultimate forgiveness and good spirit towards Vronsky, which he arrives at honestly after great storminess (9-4)
- His emotional journey towards his son: disgust, aversion, disappointment in his feelings, then love, pride
Konstantin Levin regarded his brother as a man of immense intellect and culture, as generous in the highest sense of the word, and possessed of a special faculty for working for the public good. But in the depths of his heart, the older he became, and the more intimately he knew his brother, the more and more frequently the thought struck him that this faculty of working for the public good, of which he felt himself utterly devoid, was possibly not so much a quality as a lack of something—not a lack of good, honest, noble desires and tastes, but a lack of vital force, of what is called heart, of that impulse which drives a man to choose someone out of the innumerable paths of life, and to care only for that one. The better he knew his brother, the more he noticed that Sergey Ivanovitch, and many other people who worked for the public welfare, were not led by an impulse of the heart to care for the public good, but reasoned from intellectual considerations that it was a right thing to take interest in public affairs, and consequently took interest in them. Levin was confirmed in this generalization by observing that his brother did not take questions affecting the public welfare or the question of the immortality of the soul a bit more to heart than he did chess problems, or the ingenious construction of a new machine.
Tolstoy, Leo. Anna Karenina: Illustrated (The Evergreen Classics) (p. 249). Kindle Edition.
The women, all singing, began to come close to Levin, and he felt as though a storm were swooping down upon him with a thunder of merriment. The storm swooped down, enveloped him and the haycock on which he was lying, and the other haycocks, and the wagon-loads, and the whole meadow and distant fields all seemed to be shaking and singing to the measures of this wild merry song with its shouts and whistles and clapping. Levin felt envious of this health and mirthfulness; he longed to take part in the expression of this joy of life. But he could do nothing, and had to lie and look on and listen. When the peasants, with their singing, had vanished out of sight and hearing, a weary feeling of despondency at his own isolation, his physical inactivity, his alienation from this world, came over Levin.
Tolstoy, Leo. Anna Karenina: Illustrated (The Evergreen Classics) (p. 285). Kindle Edition.
All the long day of toil had left no trace in them but lightness of heart. Before the early dawn all was hushed. Nothing was to be heard but the night sounds of the frogs that never ceased in the marsh, and the horses snorting in the mist that rose over the meadow before the morning. Rousing himself, Levin got up from the haycock, and looking at the stars, he saw that the night was over. "Well, what am I going to do? How am I to set about it?" he said to himself, trying to express to himself all the thoughts and feelings he had passed through in that brief night. All the thoughts and feelings he had passed through fell into three separate trains of thought. One was the renunciation of his old life, of his utterly useless education. This renunciation gave him satisfaction, and was easy and simple. Another series of thoughts and mental images related to the life he longed to live now. The simplicity, the purity, the sanity of this life he felt clearly, and he was convinced he would find in it the content, the peace, and the dignity, of the lack of which he was so miserably conscious. But a third series of ideas turned upon the question how to effect this transition from the old life to the new. And there nothing took clear shape for him. "Have a wife? Have work and the necessity of work? Leave Pokrovskoe? Buy land? Become a member of a peasant community? Marry a peasant girl? How am I to set about it?" he asked himself again, and could not find an answer. "I haven’t slept all night, though, and I can’t think it out clearly," he said to himself. "I’ll work it out later. One thing’s certain, this night has decided my fate. All my old dreams of home life were absurd, not the real thing," he told himself. "It’s all ever so much simpler and better..."
Tolstoy, Leo. Anna Karenina: Illustrated (The Evergreen Classics) (p. 286). Kindle Edition.
At the very instant when this apparition was vanishing, the truthful eyes glanced at him. She recognized him, and her face lighted up with wondering delight. He could not be mistaken. There were no other eyes like those in the world. There was only one creature in the world that could concentrate for him all the brightness and meaning of life. It was she. It was Kitty. He understood that she was driving to Ergushovo from the railway station. And everything that had been stirring Levin during that sleepless night, all the resolutions he had made, all vanished at once. He recalled with horror his dreams of marrying a peasant girl. There only, in the carriage that had crossed over to the other side of the road, and was rapidly disappearing, there only could he find the solution of the riddle of his life, which had weighed so agonizingly upon him of late.
Tolstoy, Leo. Anna Karenina: Illustrated (The Evergreen Classics) (p. 287). Kindle Edition.